Meet the Funders
Wesgro Film and Media Promotion Unit (FMP) Support Services
Wesgro is the official tourism, trade and investment promotion agency, for the City of Cape Town and the Western Cape Province, which champions economic opportunities for the region. Wesgro also has the mandate for film and media promotion, so find out how our FMP support services are able to help your company grow.
Sunday 11 June, 3.30 – 4:30pm
Workshop 17, 17 Dock Road,
American Film Showcase
The American Film Showcase (AFS) brings award-winning contemporary American documentary and independent narrative films to audiences around the world, offering a view of American society and culture as seen by independent filmmakers. Funded by a grant from the State Department’s Bureau of Educational and Cultural Affairs (ECA) and produced by the University of Southern California School of Cinematic Arts (SCA), the Showcase highlights the value of film in fostering understanding and cooperation, dialogue and debate. The AFS films explore diverse topics including civil rights, disabilities, social justice, sports, freedom of the press, technology and the environment.
For more information visit: www.americanfilmshowcase.com
American Spaces are a worldwide network of publicly-accessible places that enable U.S. Embassies and Consulates to build and strengthen relationships with host country communities, showcase American culture and values, promote English language learning, encourage study in the United States, and foster goodwill and mutual understanding. This initiative exemplifies the U.S. commitment to a core tenet of democracy: a citizen’s right to free access to information.
American Corner Cape Town and Rosa Parks Library and Innovation Studio in Soweto will be hosting filmmakers’ workshops and events in support of Encounters Documentary Festival. Follow us on Facebook for more information about dates, times and locations.
Lina Srivastava is a social innovation strategist, working at the intersection of social action, interactive media, and narrative design. The founder of CIEL | Creative Impact and Experience Lab, a social innovation strategy group in New York City, Lina has been involved in social engagement campaigns for several documentaries, including Oscar-winner Born into Brothels, Emmy-nominated The Devil Came on Horseback, Oscar-winner Inocente, and Sundance-winner Who Is Dayani Cristal?, and How to Let Go of the World.
The former Executive Director of Kids with Cameras, and the Association of Video and Filmmakers, Lina has worked on strategic project design for social impact organizations, including UNICEF, UNESCO, the World Bank, and the AARP. She is on faculty in the Masters of Fine Arts Program in Design and Social Innovation at the School of Visual Arts. Lina is a Fulbright Specialist candidate, on the US State Department’s American Film Showcase roster, a Rockwood Institute/JustFilms Fellow, a recipient of a Rockefeller Foundation leadership grant, a Civic Hall Labs Fellow, a Boehm Media Fellow, and a Fellow of the Royal Society of Arts. Lina is a graduate of New York University School of Law.
Make Your Film Matter
In response to the rapid rise of impact campaigns and a need for films that bring about meaningful change, Impact Strategy and Transmedia specialist Srivastava will deliver a powerhouse session on how to transform creative communications into calls to action. Creator of the Transmedia Activism framework, which guides the development of media and technology projects from story to social action, she will take filmmakers through the process of designing an effective, comprehensive campaign to increase the reach and impact of their films.
This Master Class is pitched at seasoned producers, but all are welcome.
Carolyn Hepburn is an Emmy Award nominated Producer, who co-produced Oscar nominated Life, Animated and executive produced Weiner, winner of the 2016 Sundance US Documentary Grand Jury Prize.
Hepburn produced 3½ Minutes, Ten Bullets, the 2015 Sundance Special Jury Prize for Social Impact winner and shortlisted for the 2016 Academy Award.
Hepburn’s credits also include Indian Point, Chicken People, The 100 Years Show, Art and Craft (shortlisted for the 2015 Academy Award), God Loves Uganda (shortlisted for the 2014 Academy Award), and Gideon’s Army (winner of the 2013 Sundance Editing Award).
Producer Hepburn will take filmmakers through the ins-and-outs of producing that first feature.
Hepburn will share tips from her extensive work in the field and examples from her own films.
Especially recommended for those tackling that first feature but all welcome to join as a great refresher check.
Innovative next-generation filmmakers Sarah Summers, Kelly Eve Koopman and Jessie Zinn engage in a thought-provoking discussion about the local film landscape and how to break in, push boundaries and explore new territories.
In 2016 filmmaker Torstein Grude gave a camera to two Burundian soldiers in Somalia, with one instruction only: film whatever you think is important. The result, Mogadishu Soldier, is a feature documentary, spliced together from 530+ hours of raw footage. Using this example of how documentary can be made as the focal point of the conversation, this session will explore the thorny issues of representation, ethics, accountability and agency.
Encounters’ guest directors Aliki Saragas, Riaan Hendricks, Davison Mudzingwa and Nomakhomazi Dewavrin will discuss their creative processes, from choosing a subject to how they found the money!
This year the Black Filmmakers Forum continues to ask how to support and grow Black documentary filmmaking in South Africa. In conversation with local filmmakers who share their experiences, this edition explores the role of broadcasters and how their support or lack thereof affects us on a local and international level.
Encounters has just received the news, as we went to print that Last Men in Aleppo director Firas Fayyad, will attend the Festival. In partnership with the Heinrich Böll Stiftung, Encounters will present a public discussion with Fayyad about his personal experiences as a citizen and filmmaker in Syria and his body of work that deals directly with contemporary Syrian issues and the political transformation in the Arab world. He will provide insight into the Syrian conflict, democracy, migration and activism through cinema.
Date to be confirmed
When did you turn 21?
What happened that year?
And how did you become adult?
Swiss artist Mats Staub asked these questions of a large group of people, of all ages, and recorded their stories and had them listen to their answers three months later, while filming their facial expressions.
This became the video installation 21 – Memories of Growing Up.
The exhibition is growing from city to city and will present portraits from Switzerland, Germany, Serbia, England, Holland and South Africa.
Runs 1 – 11 June
Monday – Saturday 9am – 6pm
Homecoming Centre District 6 Museum, 15a Buitenkant St Zonnebloem Cape Town
Performance artist / filmmaker Samira Elagoz, maker of Craigslist Allstars, Swiss video installation artist Mats Staub (see above) and his local collaborator, artist Maia Marie, will discuss how documentary and contemporary art inform and influence each other.
This session, moderated by Meghna Singh, will deconstruct how to subvert genres and blur the boundaries between art and what is real.
Laurence Bonvin, an award-winning photographer and filmmaker, has exhibited her work across the world, including South Africa. Bonvin will discuss the relationship and tension between the still and the moving image in her work.
Wednesday 7 June, 12pm – 2pm
Cape Town School of Photography, 25a Buitenkant Street Cape Town
Reality Check Where are we with Docs in SA?
Join the DFA for a vital discussion on the history, the future, the trends, challenges and opportunities, the numbers and stats, and who gets the money, if any…
Liezel Vermeulen’s Die Burger article will inform this lively debate.
Sunday 4 June, 10am – 11am
Workshop 17, Dock Road, V&A Waterfront
These sessions are held in partnership with Sound Africa – an independent podcast that uses digital storytelling to capture the complexity of South Africa and the continent.
Besides making podcasts, Sound Africa also hosts Radio Cinema and works with an expanding network of radio producers.
Podcasting is exploding and attracting millions of listeners worldwide! But how can you use this medium to tell stories on a budget? In this workshop, we will look at podcasting as a low entry medium that can be a faster and cheaper alternative to filmmaking. Using examples, we will outline the equipment and skills that are needed to start your own podcast.
Sunday 11 June, 10.00am – 12.00pm
Bertha Movie House Isivivana Centre, 8 Mzala Street, Ekuphumleni, Khayelitsha, Cape Town
Vincent Moloi is one of SA’s most successful documentary filmmakers. His films have screened at premier festivals in Amsterdam, Toronto and Rotterdam. His first film, Luting (2003) was filmed in the Malutis in Lesotho. His latest, Skulls of My People filmed in Namibia, had its World Première at IDFA. Moloi will share why he is drawn to certain subjects and what it means to be “patient, consistent and honest to your voice”.
Sunday 4 June, 10:00am – 12:00pm
Bertha Movie House, Isivivana Centre, 8 Mzala Street Ekuphumleni, Khayelitsha
What can documentary films contribute and how are they perceived? And, contrarily, what are the difficulties and needs of the documentary form? Award-winning director Heidi Specogna (Short Life of José Antonio Gutierrez, Cahier Africain, Tupamaros) has worked extensively in Latin America and Africa. Illustrated with clips from her impressive body of work, she will expound on the relevance of documentary film today. Specogna will also consult, one-on-one, with emerging filmmakers.
Anticipating Fayyad’s attendance, the director of Last Men in Aleppo will discuss the challenges of documentary filmmaking in conflict zones, using the medium of documentary as a tool for activism and the film’s current impact strategies for distribution.
Dates to be confirmed
Al Jazeera-Encounters 6th Pitching Forum
Al Jazeera Commissioning Editor Farid Barsoum will brief filmmakers on Al Jazeera’s vision for programming, commissioning guidelines and respond to questions from the Industry. This is followed by the 6th annual Pitching Forum wherein 12 selected filmmakers will pitch their ideas, and receive feedback on their proposals. Both sessions are open to industry, filmmakers and observers.
Farid Barsoum has been an Executive Producer and Commissioning Editor at Al Jazeera for the past seven years. In his 30-year career in Television he worked in his native Canada and was based in Moscow for the CBC and in London for NBC. Farid was part of the team that launched AJE in 2006. He now commissions “one-off” documentaries as well as Special Series and the popular AJ Correspondent series.
Sunday 11 June
Saturday 10 June
9:30am – 10am Information Session, 10am – 1pm Pitching Session
Workshop 17, 17 Dock Road, V&A Waterfront, Cape Town
Goethe Institut, 119 Jan Smuts Ave, Parkwood, Jhb
Refreshments will be served afterwards
Rough Cut Lab
Encounters, in partnership with The Refinery Cape Town and South African Guild of Editors is proud to present the inaugural Encounters Rough Cut Lab. Three directors, whose films are in post-production, will be invited to spend three days working on their film with an experienced editing mentor. Projects will receive expert advice on story structure and technical aspects.
The Refinery, Waterfront Studios, Green Point
In addition to the long-standing and successful Backsberg Encounters Audience Awards for the best South African and International documentaries, the Festival, in partnership with Ster Kinekor, introduces its first Youth Jury in 2017. Four jurors will adjudicate and present the EYE Award and cash prizes for the best South African short (less than 20 minutes).
Born in KZN, Anele Hlongwane (20) has been living in Cape Town for 15 years. Studying at UCT currently, he has a passion for all areas of filmmaking, but his goal is producing.
Yoza Mnyanda (23) is a UCT Screen Production graduate whose passions include cinematography and storytelling. She is currently a freelance videographer and editor and runs her own small production company called “Wildflower Worx”.
Taryn McCabe (21) is studying film at CPUT and is currently working on a number of film projects. She has a passion for European and Avant Garde cinema.
Lloyd Soudien (19) is from Mitchells Plain, studying web publishing and interactive media at Friends of Design.
Encounters Youth Experience
This year the Festival will launch the Encounters Youth Experience, a comprehensive screening and workshop programme for young audiences. This initiative will serve as an introduction to the genre and to the practical craft of documentary filmmaking. Screenings and conversations will take place at the Bertha Movie House and the Labia.
Bertha Movie House Isivivana Centre, 8 Mzala Street, Ekuphumleni, Khayelitsha, Cape Town
Labia Theatre, 68 Orange St, Gardens
HE: “I find sex pretty good”
SHE: “Maybe in another life.”
Jan Gassmann’s explicit crisis film for Generation Y is a warts and all portrayal that closely follows four couples as they search for jobs and get high, living on a continent on the verge of change.
Jan Gassmann attends the festival courtesy of DOK.fest Munich
- Bertha MH
- Thu 8, 6pm + Q&A
Saturday 3 June
Saturday 3 June
Sunday 4 June
Saturday 10 June
Sunday 11 June
A Festival Audience Award is a special accolade, appreciated by filmmakers precisely because it is given not by a jury of experts or critics but by popular vote.
Please do fill in those ballots at all Festival screenings in Johannesburg and Cape Town and help select the Best South African and Best International feature documentaries at the Festival.
The Backsberg Encounters Audience Awards for Best South African and International documentaries will be announced after the last vote is counted.
2009 – Fokofpolisiekar
2010 – The 16th Man
2011 – The Imam & I
2012 – The African Cypher
2013 – The Village Under the Forest
2014 – Unearthed
2014 – Special Award – Miners Shot Down
2015 – The Shorebreak
2016 – Action Kommandante